The City of Angels has Two Faces

Ramiro Gomez depicts the underside of the Sunset Strip
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When you look at David Hockney’s paintings of suburban Los Angeles in the 1960s and 70s, you see glamor turned at a clever angle in the unforgiving sun, to mask the subsurface decay. It’s plastic surgery gone slightly wrong, the jagged lines clean and dirty at once. Pastel stucco walls hint at smudges of cheap lipstick and shattered plexiglass--the stuff that gets swept under the rug, literally and figuratively.

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